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Hoorn Berlin

Netherlands/Berlin Trip - Berlin      30th July:

    Blue skies with scattered clouds and a little breeze greeted us in the morning. Dark, menacing clouds on the horizon threatened rain, but Meryl reckoned it would skip us.
    Showered, breakfasted, and packed, we were ready to go. Skipper Rex made some last minute notes for Barry and Yvonne, and off we went to get the train to Amsterdam.
    At the station we smiled as a dozen little lads, carrying backpacks almost as big as they were, followed their leader in single file across to our platform. No doubt all were off for a camping trip. I was impressed at how well behaved they all were, with no complaints about the loads they were carrying.
    Our train took us out of Hoorn, passing acres of allotments on the way, then we were flying silently across fields full of ditches and cattle. Scores of wind turbines waved us on our way. The young lads were scattered across the carriage in isolated seats, all behaving impeccably.
    The journey to Amsterdam took just 30 minutes, and it was a simple matter of changing platforms for our train to Berlin. The group of scouts who had travelled down from Hoorn with us were also waiting for the Berlin train, all excitedly chatting away in German. Their leader was a young fellow, probably only in his early twenties, but he seemed to be well in control of his pack.
    I feel a sort of romantic excitement being in a station where trains for other countries pass through. Just the thought of uninhibited travel to all those far off lands fills my soul with a mixture of wonder and excitement.
    A grey, powerful, slick train glided alongside our platform and almost silently came to a halt. People poured off the train, and had to push their way through the eager throngs trying to get on; organised chaos you could call it. The carriages were of the old-fashioned type I remembered from my childhood: long corridors down the side, lined with doors leading to a series of compartments, each holding six seats. It was a real struggle fighting our way down the corridor against a flow of folk trying to come through it from the opposite direction.
    We eventually found our resting place for the next 6.5 hours, and were soon joined by a couple of Italian lads who were probably travelling around Europe on rail cards.
    Without much ado, the train effortlessly glided out of the station on time and we were soon hurtling through arable lands, over networks of waterways and road systems, traversing small villages and huge towns. The train occasionally halted at a station, but for durations of no more than two minutes; this train was on a mission. At the German border we stopped for ten minutes for an engine change; apparently some countries prefer to have their own trains pulling carriages or freight. And off we sped again, but now announcements were blurted out in German first rather than Dutch.
    The architecture immediately changed, and the lush green Dutch fields gave way to vast fields of cereal crops, some already harvested. At one stage a wondrous sight came into view, mountains, a welcome change to Holland's flat terrain. I was itching to get out for a good hike. Stopping briefly at Wolfsburg, the home of VW, Rex raved enthusiastically about the town's football team, and which Wolfsburg players moved across to play in the English football leagues. It was all lost on me I'm afraid. The 6.5 hour train ride was a challenge, but I ploughed through Martin Johnson's autobiography to pass the time.
    Our entry into Berlin was smooth, and we stepped out of our cell into the bright and airy structure of steel and glass that is Berlin Central Station, one of the most spectacular architectural projects of the capital. After undergoing eleven years of construction, the station formerly known as the Lehrter Stadtbahnhof was reopened on 28th May 2006 as the largest and most modern connecting station in Europe.
    There are two main levels for train traffic and three connection and business levels. However, it is interesting to note that the concept of a "cathedral of transport" was not quite able to be realised in accordance with the wishes of the architect Meinhard von Gerkan. For example, he had planned on having a vaulted roof but this had to give way to a flat roof. Furthermore, the glass roof above the upper rail system had to be reduced significantly.
    Nevertheless, the station is delicate, spacious and full of light. The 321 metre long glass hall for rails running east to west is crossed by the 160 metre long and 40 metre wide concourse where rails are running north to south.
    A sophisticated system of large openings in the ceilings at all levels allows for natural light to be let in so that it can even reach the lower tracks. The architecture places an emphasis on the character of the station as a traffic intersection. For the Hamburg-based architects Gerkan, Marg & Partner, the importance of the new Berlin Central Station consists in the fact that it serves as an interface in Europe and this point is the determining factor of their design.
    Our hotel was just outside the station, but my entry there was not so graceful. Months earlier Rex had booked two double rooms; one for him and Meryl, the other for me. The same day as he made the booking, I called up the hotel to make sure my room had twin beds, one for me and the other for Dan when he turned up on Saturday. This had all been magically transformed into three rooms, each with twin beds. I was fuming with the guy at the desk, but paid up for the extra room before I really lost my rag.
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Reichstag
    It was already evening, so after freshening up, we set off to find sustenance, walking over the River Spree from where we could not fail to miss the imposing Reichstag, the seat of the German parliament, and one of Berlin's most historic landmarks. The building, which is located close to the Brandenburg Gate, was renovated after German reunification and now features a striking glass dome. After the founding of the German Empire in 1871, there was a need for a large parliamentary building in Berlin. A competition was held and out of 183 submissions, a design by Paul Wallot was chosen. The German architect created an imposing neo-Renaissance building, 137m long and 97m wide. Its design, and in particular the magnificent iron dome, at the time a technological masterpiece, was lauded by all. The building was constructed between 1884 and 1894, mainly funded with wartime reparation money from France, a result of Prussia's defeat of France in 1871. The famous inscription "Dem Deutschen Volke" (To the German People) was added later, in 1916, by Emperor William II. The bronze letters were cast from seized French cannons.
    The Reichstag, short for Reichstagsgebäude, was built as a symbol of the newly created German Empire, but the parliament that assembled here had little say in matters; most of the legislative power was in the hands of the chancellor and, until 1918, the emperor. The Reichstag played a significant part in Hitler's ascent to power. In February 1933 a fire broke out in the building, destroying much of the Reichstag. It is to date still unclear who started the fire, but a Dutch ex-communist, Marius van der Lubbe, was charged with the crime and sentenced to death after a show trial. The incident gave a boost to Hitler, at the time chancellor, who blamed the Communists. His party, the NSDAP, gained almost 44% of the votes during the following elections and he was able to pass an amendment that would give him absolute powers. The Reichstag building had now become a mere symbol of a powerless parliament. The Nazis themselves never even used the Reichstag for parliamentary sessions.
    The building was not repaired and was damaged even more at the end of the Second World War, when Soviet troops entered Berlin. The picture of a Red Army Soldier raising the Soviet flag on the Reichstag is one of the most famous twentieth-century images and symbolized Germany's defeat. After the Second World War the Reichstag building ended up in West Berlin, right near the border with East Berlin. The iconic dome was demolished in 1954 but the remainder of the building was reconstructed between 1958 and 1972. During Berlin's division the West German parliament assembled here once a year as a way to indicate that Bonn was only a temporary capital. The building stood otherwise mostly empty and plans from the 1970s to use the building as a museum were never realized. In 1991, shortly after reunification, the decision was made to move the Bundestag (Germany's parliament) from Bonn back to Berlin.
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Russian Memorial
    A first meeting of the parliament of the reunified Germany took place as early as on October 4, 1990 but it was clear that a significant renovation of the building was needed before the parliament could move here permanently. To this end an architectural competition was launched which was won by Norman Foster. He decided to keep the exterior intact as a reminder of the past. The interior was completely stripped and modernized. Construction started in 1995 and the Bundestag moved in in September 1999. The highlight of the new Reichstag is its striking glass dome. Foster's original plans did not include a dome; it was only added at the insistence of the German government. At first the subject of much controversy, the dome, which is supported by a mirrored column, has become one of the city's most recognized landmarks. It is open to visitors, who can look onto the plenary hall below. You can walk onto the roof of the building for views over the area or, even better, ascend a helical ramp that brings you to a viewing deck with unique views over the city. Me and my son Dan had visited the Reichstag in 2007, and had walked to the top of the ramp. Now Rex and Meryl wanted to visit the Reichstag, and they intended to check out tomorrow how to get tickets.
    We took a stroll down through the expanse of parkland known as the Tiergarten (zoo) to the Strasse des 17. Juni, where we turned down towards the Reichstag Building, passing the Sowjetisches Ehrenmal (Soviet Memorial) to our left. Here, right in the centre of the capital, two "T 34" tanks flank the bronze statue of a red army soldier who is carrying his rifle over his shoulder. The columns behind him bear texts with the names of fallen Soviet soldiers, while the graves of about 2,500 soldiers are in the rear of the memorial. This memorial was erected in 1945 on the north side of today's Straße des 17. Juni near the Reichstag to honour the fallen soldiers of the red army.
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Brandenburg Gate
    Continuing along the Strasse des 17. Juni we arrived at the Brandenburg Gate, a monumental gate built in the 18th century as a symbol of peace, is Berlin's most famous landmark. During the Cold War, when the gate was located right near the border between East and West Berlin, it became a symbol of a divided city. But when the Berlin Wall fell in 1989, the Brandenburg Gate instantly became the symbol of a reunified Berlin. The Brandenburg Gate is situated at the western end of Unter den Linden, a grand boulevard that cuts through the center of Berlin. The gate was originally part of a wall surrounding Berlin and was the main entrance to the city. It is the only gate that remains of this former city wall.
    The monumental gate was commissioned by Emperor William II as the replacement of an older gate. Architect Carl Gotthard Langhans based his design of the new gate, which measures 65.5m wide and 28m tall, on the Propylaea, the gateway to the Acropolis in Athens. The gate was named Friedenstor (Peace Gate) since it was meant to symbolize a period of peace after years of war during the reign of Frederick the Great. Construction of the Brandenburg Gate started in 1778 and it officially opened in 1791. The decorations, including bas-relief scenes depicting Greek mythology took another four years to complete. The gate has five passages. The central and widest one was reserved for the royals; the adjacent passages were for use of the aristocracy while ordinary citizens were only allowed to use the outer two.
    The bronze quadriga of victory crowning the gate was created in 1793 by Johann Gottfried Schadow. The four-horse chariot is driven by the winged goddess of peace. In 1806, when Berlin was occupied by French troops, Napoleon ordered the quadriga to be taken to Paris. After Napoleon's defeat at the Battle of Waterloo, the quadriga was triumphantly taken back to Berlin, and was turned into a symbol of victory: an iron cross and eagle were added to the laurel wreath. At the same time the square near the gate was renamed Pariser Platz and the statue on the quadriga was now called Victoria, after the Roman goddess of victory.
    The Brandenburg Gate, which had become a symbol of Prussian militarism, was badly damaged during World War II. After the division of Berlin between the allied powers it ended up in the Russian sector, right near the border with the British sector. The gate was repaired in 1956-1958 by East Berlin and West Berlin funded the reconstruction of the destroyed quadriga, which was created from the original mould. The iron cross and eagle, symbols of Prussia, were removed by the Communist regime but they were added again after reunification.
    On August 14, 1961, one day after the construction of the Berlin Wall, the Brandenburg Gate closed. Pariser Platz was now a desolate wasteland and the gate became to symbolize the division of Berlin and Germany. When the Wall finally fell in November 1989, people flocked to the Brandenburg Gate to celebrate. The gate, which reopened in December that year, was thoroughly renovated in 2000-2002 and now stands as a symbol of a reunited Germany. Meanwhile Pariser Platz directly behind the Gate has completely been redeveloped and regained much of its nineteenth-century grandeur.
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Holocaust Memorial      (please use scroll bar)

    Presuming the Potsdamer Platz would be full of eating establishments, we headed down Ebertstrasse, where we came across the Holocaust Memorial. In May 2005, on the 60th anniversary of the fall of the Nazi regime and the end of World War II, the city of Berlin dedicated their Holocaust Memorial, designed to commemorate the murder of six million Jews at the hands of Hitler and his forces. The idea for a Holocaust Memorial was first proposed in 1988 but the design for the monument wasn't approved until 1999. At that time, U.S. architect Peter Eisenman's controversial design was chosen as a fitting tribute to the Jews that died before and during World War II as part of Hitler's plan to exterminate them.
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Rex with a Full Tummy
    Eisenman's design is quite unique and has drawn both praise and criticism. Occupying 19,000 square meters of space near the Brandenburg Gate and just a short distance from where the ruins of Hitler's bunker is buried, the Berlin Holocaust Memorial is made up of 2,711 concrete slabs that bear no markings, such as names or dates. The slabs undulate in a wave-like pattern. Each is a five-sided monolith, individually unique in shape and size. Some are only ankle high while others tower over visitors. The paths that are shaped between the slabs undulate as well. Eisenman hoped to create a feeling of groundlessness and instability; a sense of disorientation. Most will agree that he succeeded.
    We spent a while walking through the memorial, each lost in our own thoughts, and we were joined by dozens of others, some filled with deep solemnity, others laughing and joking as they clambered across the tops of the slabs. The architect said that he hoped it will merely become a natural part of the city, blending in with its background; used for shortcuts on the way home from work or a place of peace and quiet on a chaotic day.
    Nearby, in the Tiergarten, are two likeminded memorials. One commemorates the Sinti and Roma who died in concentration camps. The other one commemorates the homosexuals who were persecuted under the Nazi Regime.
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Brandenburg Gate in the Late Evening
    Carrying on to Potsdamer Platz, the most striking example of the urban renewal that turned Berlin into the "New Berlin" in the 1990s although it is not, strictly-speaking, a square. The area today consists of the three developments known as Daimler City or the DaimlerChrysler Areal (1998), the Sony Centre (2000) and the Beisheim Centre (2004), which literally transformed the dormant wasteland where the Berlin Wall stood between east and west Berlin until 1989.
    Historically, there are three distinctive phases in the history of this legendary square. In the 1920s Potsdamer Platz, where the first set of traffic lights in Europe came into operation, was the metropolis' heart and hub, the busiest European city in its heyday, buzzing with shopping, traffic and entertainment. A heap of ruins after World War II, it lay lifeless as a no man's land - a strip of sandy soil known as the death-strip dividing west and east Berlin until 1989. After the fall of the Wall, in 1989, its resurrection was brought about by consortiums of international investors and the most prestigious international architects available: Renzo Piano, Helmut Jahn, Richard Rogers, Arata Isozachi and Rafael Moneo.
    Today, the Platz integrates residential accommodation with shopping, leisure and business needs to ensure an around-the-clock living area, a mixture of the American plaza feel and tree-lined European downtown, producing a lively, buzzing atmosphere.
    We had not come across a single restaurant on the way. Rex and Meryl were most surprised at this, indeed Rex was most upset, but there again in the government building areas and parks in London you don't find many restaurants either. Perhaps we should have chosen a hotel in the middle of a restaurant area.
    However, we did find a pleasant little Italian restaurant where we ate and drank well. Welcome to Berlin.


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Hoorn Berlin
Last updated 30.9.2015